Red Giant’s professional color correction tool for filmmakers now includes Guided Color Correction, a step-by-step process for quickly and accurately balancing a shot. Red Giant has also updated scopes so they can be resized (larger or smaller), and users can zoom in and out of the hue/saturation scope.įeature highlights: What’s new in Magic Bullet Looks 4.0 Among the enhancements that make this upgrade a serious improvement for users are more than 50 new presets (over 200, in total), a new “favorite” looks feature, and the ability to create an image reference library for comparison. Editors and filmmakers will love the intuitiveness and power of the tools, and they’ll get more done, thanks to Magic Bullet Suite 13’s real-time performance for color correction.”Ī major upgrade to Red Giant’s tool for powerful looks and color correction for filmmakers, Magic Bullet Looks 4.0 delivers real-time performance in Adobe Premiere Pro CC, thanks to new OpenCL support, new presets, tools, and some essential workflow and UI enhancements. “This release makes it all faster and better, both in the user experience and in the end result. “Magic Bullet Suite has always been the most approachable set of tools for professional color grading and finishing,” said Aharon Rabinowitz, Red Giant’s head of marketing. See what’s new in Red Giant Magic Bullet Suite 13 And for the first time ever, Magic Bullet Suite delivers real-time color correction thanks to OpenCL support in Adobe Premiere Pro CC, extending the toolset for users of the industry’s leading NLE. Packed with powerful new features, every single tool in the Magic Bullet Suite has received major updates and is now GPU accelerated. Red Giant announced today the availability of Magic Bullet Suite 13, a significant update to its widely-used color correction, finishing and film looks tools for filmmakers.

Every tool re-engineered and GPU-accelerated. Red Giant Magic Bullet Suite 13 Makes a Huge Leap Forward for FilmmakersĬolor correction tools with OpenCL support for real-time playback in Adobe Premiere Pro CC.

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